Font Selection

Choisir des polices pour votre marque : un cadre stratégique

Updated février 24, 2026
Le choix typographique communique la personnalité de marque avant que quiconque lise un mot. Un cadre stratégique pour choisir une typographie en accord avec votre identité de marque.

Choosing Fonts for Your Brand: A Strategic Framework

Typography is one of the quietest and most persuasive elements of brand identity. It operates below the level of conscious awareness — readers don't think "this company used a humanist sans-serif, so they must be approachable" — but the accumulated signal shapes perception reliably. The typeface choices you make for your brand carry associations, set expectations, and communicate personality in the milliseconds before any content is processed.

This guide is not about making beautiful typography. It's about making strategic typography — choices that align with your brand positioning, serve your communication goals, and remain consistent across every touchpoint where your brand appears.

Typography Is Brand Voice Made Visible

Every brand has a voice — the tone, personality, and values communicated through language. Formal or casual. Authoritative or approachable. Innovative or traditional. Playful or serious. That voice is expressed explicitly through copy and implicitly through visual elements, and typography is the element most directly connected to language itself.

The reason typography is so effective at communicating personality is that typefaces are systems of decisions. Every letterform represents a choice about proportion, stroke weight, stroke angle, terminal shape, and spacing. Those choices don't happen in a vacuum — they reflect the historical period, cultural context, and design intent of the typeface. And readers, consciously or not, have absorbed those associations through lifelong exposure to type in context.

Consider two hypothetical B2B SaaS companies with identical product features. Company A uses Montserrat (geometric, precise, modern) for their headings and Inter (screen-optimized, systematic) for their body. Company B uses Playfair Display (editorial, high-contrast, dramatic) for headings and Lato (warm, humanist) for body.

Without reading a single word, a visitor to Company A's site perceives precision, technical sophistication, and modern efficiency. A visitor to Company B's site perceives authority, personality, and perhaps a premium positioning. The product might be identical. The font choice changes the brand perception.

This is why typography strategy matters. You're not choosing fonts you like — you're choosing the visual vocabulary of your brand's voice.

Mapping Brand Personality to Font Classification

The most practical starting point for brand typography is the intersection of brand personality and type classification. Different classifications carry consistent associations, built through decades of cultural usage.

Old-style serifs (Garamond, Caslon, Jenson)

Associations: Heritage, scholarship, craftsmanship, tradition, authority, literary quality. Industries: Publishing, law, academia, heritage brands, cultural institutions, luxury goods with history. Representative fonts: EB Garamond, Cormorant Garamond, Libre Caslon Text

If your brand positioning emphasizes heritage, expertise built over time, or academic authority, an old-style serif communicates these values immediately. Law firms, established financial institutions, university presses, and artisan brands often lean into old-style serif characteristics for precisely this reason.

Transitional serifs (Baskerville, Times, Palatino)

Associations: Professionalism, balance, readability, institutional credibility. Industries: Journalism, professional services, government, established businesses. Representative fonts: Libre Baskerville, Lora, PT Serif

Transitional serifs occupy a middle ground — more rational than old-style serifs, less extreme than modern serifs. They communicate professional credibility without heavy decorative weight. The association with print journalism (newspapers, magazines) makes them excellent for content-heavy brands.

Modern/Didone serifs (Bodoni, Walbaum, Didot)

Associations: High fashion, elegance, luxury, exclusivity, visual drama. Industries: Fashion, beauty, luxury goods, premium lifestyle, editorial. Representative fonts: Playfair Display, Bodoni Moda

Didone serifs say "premium" louder than any other type classification. The extreme contrast between thick and thin strokes is visually dramatic and associated with fashion publishing (Vogue, Harper's Bazaar) and luxury retail. Use this classification when premium positioning is a core brand attribute.

Geometric sans-serifs (Futura, Gill Sans-inspired, Bauhaus)

Associations: Modernity, precision, rationality, tech-savviness, clean thinking. Industries: Technology, software, design studios, architecture, modern consumer brands. Representative fonts: Montserrat, Poppins, Raleway

Geometric sans-serifs feel contemporary and systematic. Their construction from circles and straight lines communicates a certain rational, modern world view. They're the dominant type classification in SaaS and technology products because they communicate technical precision while remaining visually clean.

Humanist sans-serifs (Gill Sans, Frutiger, Johnston)

Associations: Warmth, approachability, humanity, accessibility, trustworthiness. Industries: Healthcare, education, non-profit, community-focused brands, consumer apps. Representative fonts: Lato, Source Sans 3, Nunito

Humanist sans-serifs were designed with the organic proportions of hand-lettering in mind. They feel warmer and more human than geometric sans-serifs. For brands that need to communicate approachability — healthcare platforms, educational products, community organizations — humanist sans characteristics are more appropriate than geometric ones.

Grotesque/Neo-grotesque sans-serifs (Helvetica, Univers, Arial)

Associations: Neutrality, functionality, reliability, corporate credibility. Industries: Finance, infrastructure, large corporations, utility brands. Representative fonts: Roboto, Inter, Work Sans

Grotesque sans-serifs are the typographic equivalent of a professional suit — neutral enough to suit almost any context, communicating reliability and functionality. For brands where neutrality and broad credibility matter more than distinctive personality, a well-chosen grotesque is the right choice.

The Three-Font Brand System

Most brand typography systems use three font roles. Understanding each role helps you make purposeful choices.

Role 1: The Brand Font (Primary Heading)

This is your most expressive font — the one with the strongest personality. It appears in your primary headings, your logo (sometimes), your marketing materials, and your hero sections. It carries the heaviest brand personality load.

The brand font should be: - Distinctive enough to be memorable - Appropriate for your brand personality classification - Available in enough weights to create heading hierarchy (at minimum Regular and Bold) - Legible at heading sizes (24px and above)

For most brands, the primary heading font is a serif (for authority and personality) or a distinctive sans (for modern brands). Scripts and display faces can work if the brand personality is appropriate and the font has sufficient legibility at heading sizes.

Role 2: The Reading Font (Body/Secondary)

This font appears in all body text, supporting copy, descriptions, and any text that readers consume at length. It should be nearly invisible — optimized for readability rather than personality.

The reading font should be: - Legible at 14–18px across different devices - Neutral enough not to compete with the brand font - A clear classification contrast to the brand font

If your brand font is a serif, your reading font should usually be a sans-serif, and vice versa. This classification contrast ensures the two fonts create clear hierarchy rather than confusion.

Role 3: The Accent Font (Optional)

An accent font is used sparingly — for pullquotes, captions, decorative callouts, or specific UI elements that need a third personality. It's optional: many excellent brand systems use only two fonts. When used, the accent font should be distinct from both the brand and reading fonts but harmonious with the overall system.

/* Three-font brand system example */
:root {
  /* Role 1: Brand font — authority and personality */
  --font-brand: 'Playfair Display', serif;

  /* Role 2: Reading font — readability and neutrality */
  --font-reading: 'Lato', sans-serif;

  /* Role 3: Accent font — functional differentiation (optional) */
  --font-accent: 'Lato', sans-serif; /* Can reuse reading font in different style */
}

h1, h2 { font-family: var(--font-brand); font-weight: 700; }
h3, h4 { font-family: var(--font-brand); font-weight: 400; }
p, li, td { font-family: var(--font-reading); }
.caption, .label { font-family: var(--font-reading); font-size: 0.875em; }
blockquote { font-family: var(--font-brand); font-weight: 400; font-style: italic; }

Testing Fonts Across Touchpoints

A brand typography system exists across many surfaces, and a font choice that works beautifully in one context may fail in another. Test your choices across every major touchpoint before committing.

Website (desktop): This is where most brand typography decisions are made. Test at 1280px and 1440px width. Verify the heading hierarchy (H1–H4) reads clearly. Check that body text at 17–18px with 65–70 character line lengths is comfortable for extended reading.

Website (mobile): At 375px, your heading fonts are smaller (often 28–36px for H1 rather than 48–64px). Some fonts that look dramatic at desktop heading sizes become underwhelming at mobile sizes. Test explicitly at mobile widths. Consider using clamp() or breakpoint adjustments to ensure the heading font retains presence at small sizes.

/* Mobile-first heading that scales gracefully */
h1 {
  font-family: 'Playfair Display', serif;
  font-size: clamp(28px, 5vw + 12px, 64px);
  line-height: 1.1;
}

Email: HTML email rendering is inconsistent. Most email clients don't support web fonts — they fall back to system fonts (Georgia, Times, Arial, Helvetica). Your brand typography in email is usually seen in system fonts. Design your templates to look acceptable with system font fallbacks:

/* Email-safe font stack */
h1 {
  font-family: 'Playfair Display', Georgia, 'Times New Roman', serif;
}
body {
  font-family: 'Lato', -apple-system, 'Helvetica Neue', Arial, sans-serif;
}

Social media: Your brand font will appear in social media graphics, thumbnails, and video titles. In these contexts, the font is rendered at image resolution — rendering engine differences disappear. But legibility at small sizes still matters (a 1200x630 Facebook image with 16px body text is unreadable when rendered small in a feed). Test your brand font in social image templates at the actual sizes your images appear at.

Documents (PDFs, presentations): If your brand typography will appear in PDF documents or slide decks, you need to ensure the fonts are available to document authors. Google Fonts can be downloaded and used in PowerPoint and Keynote. Create font download and installation instructions for your team.

Print materials: Some fonts that work well on screen perform differently in print. Screen-optimized features (larger x-heights, open apertures, adjusted spacing) are designed for low-resolution rendering — at print resolution (300dpi+), these features may make the font look coarse compared to a traditional print face. Test any brand font that will appear in print materials with a high-resolution PDF before committing.

Building Your Typography Style Guide

A brand typography system is only as strong as its documentation. Once you've made your font choices and tested them across touchpoints, codify the decisions in a style guide that your team and any external partners can follow consistently.

What a typography style guide must include:

Font identification. Exact font names, weights, and styles in use. Include the Google Fonts URL, download source, or licensing information. Specify whether you're using the variable font or static instances.

Type scale. The specific sizes for each text role: H1, H2, H3, H4, body, caption, label, navigation, and any other text types in your system. Include line-height and letter-spacing values for each.

Color and background guidelines. Specify approved text colors and the minimum contrast ratios required. Document which combinations are approved for light backgrounds, dark backgrounds, and colored backgrounds.

Do and don't examples. Show the correct usage of your heading font (size, weight, line-height) alongside incorrect usage (wrong weight, wrong size, wrong context). Visual examples prevent ambiguity.

CSS implementation. Provide copy-pasteable CSS variables and class definitions. Remove the implementation burden from every project that uses the brand system.

/* Example typography style guide CSS */
:root {
  /* Font families */
  --font-heading: 'Playfair Display', Georgia, serif;
  --font-body: 'Lato', -apple-system, 'Helvetica Neue', sans-serif;

  /* Type scale */
  --text-xs: 12px;
  --text-sm: 14px;
  --text-base: 17px;
  --text-lg: 20px;
  --text-xl: 24px;
  --text-2xl: 32px;
  --text-3xl: 44px;
  --text-4xl: 56px;

  /* Line heights */
  --leading-tight: 1.1;
  --leading-snug: 1.3;
  --leading-normal: 1.5;
  --leading-relaxed: 1.7;

  /* Letter spacing */
  --tracking-tight: -0.02em;
  --tracking-normal: 0;
  --tracking-wide: 0.05em;
  --tracking-widest: 0.1em;
}

Exceptions and edge cases. Document approved exceptions — situations where the standard typography rules don't apply and what should be used instead. A long-form blog article might use larger body text than a product page. A data table might use different spacing. Document these exceptions explicitly so they're treated as intentional decisions rather than inconsistencies.

Your typography style guide is a living document. Update it as your brand evolves, as new touchpoints require attention, and as you discover usage patterns that need explicit guidance. The goal is a system clear enough that any designer — internal or external, experienced with your brand or new to it — can produce typography that looks like it belongs to your brand.

That consistency, accumulated across every touchpoint where your brand appears, is how typography builds recognition. Not through any single brilliant choice, but through the relentless application of principled decisions made strategically and documented carefully.

Explore font classifications and their historical context in the font glossary, and use the font pairing tool to test your brand typography combinations in a live browser environment before codifying your decisions.

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Fonts Mentioned

Roboto Sans Serif #1

Designed by Christian Robertson for Google's Material Design ecosystem, this neo-grotesque sans-serif is the most widely used typeface on the web and Android. Its dual-nature design balances mechanical precision with natural reading rhythm, making it equally at home in UI labels and long-form text. The variable font supports width and weight axes alongside Cyrillic, Greek, and extended Latin scripts.

The quick brown fox jumps over the lazy dog
Inter Sans Serif #5

Rasmus Andersson spent years refining this neo-grotesque specifically for computer screens, optimizing letter spacing, x-height, and stroke contrast for high readability at small sizes on digital displays. An optical size axis (opsz) lets the font automatically adjust its design for captions versus headlines, while the weight axis covers the full range from thin to black. It has become the de facto choice for dashboards, documentation sites, and developer tools worldwide.

The quick brown fox jumps over the lazy dog
Montserrat Sans Serif #6

Inspired by the geometric signage and storefronts of the Montserrat neighborhood in Buenos Aires, Julieta Ulanovsky created this typeface to capture the spirit of early 20th-century urban lettering. Clean circular forms and strong geometric proportions give it an assertive presence ideal for headlines, branding, and landing pages. The variable weight axis spans a wide range, and Cyrillic and Vietnamese scripts are included.

The quick brown fox jumps over the lazy dog
Poppins Sans Serif #7

Developed by the Indian Type Foundry, this geometric sans-serif pairs perfectly circular bowls and uniform stroke widths with native Devanagari support, making it one of the few typefaces that genuinely integrates Latin and Indic scripts at a design level. The precise, modern letterforms project confidence and approachability, making Poppins a favorite for startup landing pages and app interfaces. Available in 18 styles across 9 weights, it offers practical flexibility without a variable font.

The quick brown fox jumps over the lazy dog
Playfair Display Serif #17

Claus Eggers Sorensen drew this high-contrast modern serif in the tradition of Bodoni and Didot, with dramatic thick-thin stroke transitions and delicate hairlines that demand high-resolution rendering. It excels in editorial design, luxury branding, and large-scale headings where its theatrical contrast can be appreciated. A variable weight axis and Cyrillic support complement the family's existing italic and small caps variants.

The quick brown fox jumps over the lazy dog

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