Font Selection

見出し向け最高のGoogle Fonts:注目を集めるディスプレイフォント

Updated 2月 24, 2026
見出しには個性が必要です。ヘッドライン向け最高のGoogle Fonts — 太く、独特で、大きなサイズに最適化されたフォント。

Best Google Fonts for Headings: Display Fonts That Command Attention

A great heading font does something a great body font cannot: it stops the reader. Where body text earns trust through invisible reliability, heading text earns attention through deliberate personality. The best heading fonts communicate something essential about the content and brand before a single word is processed — before the reader consciously reads, they've already absorbed a mood, an authority level, a cultural register.

This is harder to engineer than body text readability. Readability has measurable criteria. Presence and personality do not. But the fonts in this guide have proven themselves across thousands of real implementations — they command attention reliably, pair with body text gracefully, and maintain their character at the range of sizes that headings occupy.

What Makes a Great Heading Font?

Before getting to the list, it's worth establishing what distinguishes a heading-appropriate font from a body-appropriate font. The requirements are almost the inverse of each other.

Personality over neutrality. Body fonts earn points for disappearing. Heading fonts earn points for being remembered. A strong heading font has a distinctive feature — unusual proportions, expressive stroke contrast, a distinctive letterform, an unusual weight. Something that makes it recognizable.

Performance at large sizes. Heading fonts will primarily be seen at 28px and above (mobile H1), with many heading contexts reaching 48–80px on desktop. Features that look interesting at small sizes may become overwhelming at large sizes, and vice versa. The best heading fonts are calibrated for their large-size application.

Contrast with body text. Whatever your body font is, your heading font should be visually distinct from it. This usually means: if your body is a sans, consider a serif heading (or a different-character sans). If your body is a serif, consider a sans heading or a display serif with dramatically different contrast.

Sufficient weight range. Heading fonts are often used across H1–H4 hierarchy. Having multiple weights — at minimum Regular and Bold — allows you to differentiate heading levels while staying within one family.

Limited character set tolerance. Heading fonts don't need to include every obscure Unicode character. They need uppercase and lowercase Latin, numerals, and common punctuation. Character set limitations that would disqualify a body font are acceptable in a display face.

Serif Heading Fonts That Command Attention

Playfair Display

Playfair Display is the most successful heading serif on Google Fonts for a reason: its Didone-inspired high-contrast design looks unambiguously authoritative at heading sizes without requiring any design expertise to use effectively. The extreme variation between thick and thin strokes creates drama. The wide proportions create presence. The classical reference creates trust.

Playfair Display is used by editorial sites, fashion brands, premium service businesses, and cultural institutions worldwide. Its ubiquity is sometimes cited as a weakness — "too common" — but Playfair's wide usage reflects its genuine effectiveness. Use it when you want authority, elegance, and a slightly editorial personality.

Best pairings: Lato, Source Sans Pro, Inter

h1, h2 {
  font-family: 'Playfair Display', serif;
  font-weight: 700;
  line-height: 1.15;
  letter-spacing: -0.01em;
}

Cormorant Garamond

Cormorant Garamond is for designers who want maximum elegance. Where Playfair Display is dramatic, Cormorant is refined. Where Playfair is confident, Cormorant is delicate. The extreme low x-height and ultra-fine thin strokes make Cormorant one of the most beautiful heading fonts available — at large sizes on high-resolution screens.

The caveats are significant: Cormorant does not render well on low-DPI screens. Its thin strokes become problematic on non-Retina displays. It's also so distinctive that it constrains your brand personality — Cormorant strongly implies luxury, fashion, editorial refinement. Use it only when that personality is appropriate and intentional.

Best pairings: Any neutral sans — Jost, DM Sans, Work Sans

EB Garamond

EB Garamond at heading sizes occupies a different territory than Cormorant: warmth and scholarly authority rather than delicate elegance. The Renaissance humanist proportions (long ascenders, calligraphic stroke variation) create a timeless, trusted heading personality. Unlike Cormorant, EB Garamond is robust enough to work across a wider range of screens and contexts.

Use EB Garamond for headings when the content is literary, educational, or culturally ambitious — journalism, publishing, academia, cultural institutions.

Merriweather Heading Use

Though primarily a body font, Merriweather Black (900 weight) makes a surprisingly effective heading font for publishers who want a unified serif system. Its sturdy, screen-optimized construction means it performs well across devices, and the Black weight provides clear hierarchy.

Bodoni Moda

Bodoni Moda is Google Fonts' answer to the classic Bodoni — the 18th-century Italian typeface that became synonymous with fashion publication typography. Bodoni Moda's extreme high contrast and geometric precision make it more fashion-forward than Playfair Display, more confident than Cormorant.

Bodoni Moda is particularly well-suited to fashion, beauty, and luxury lifestyle contexts. Its association with Vogue-style editorial design is strong and intentional. If your brand wants fashion authority, Bodoni Moda signals it immediately.

h1 {
  font-family: 'Bodoni Moda', serif;
  font-weight: 400;    /* Bodoni's Regular has enough drama */
  font-size: 64px;
  letter-spacing: 0.02em;
}

Sans-Serif Heading Fonts With Personality

Montserrat

Montserrat is inspired by the geometric sans-serif typography of the Montserrat neighborhood in Buenos Aires. It's one of the most versatile heading fonts on Google Fonts — geometric enough to feel modern and precise, humanist enough to remain warm, available in enough weights to create heading hierarchy within a single family.

Montserrat in its Bold and Black weights makes a confident heading font for startups, SaaS products, and professional services. In its ExtraLight weight, it creates an entirely different personality — refined and editorial.

Best pairings: Merriweather, Lora, Crimson Text

Poppins

Poppins is a geometric sans-serif where every circular letter is built on perfect circles. This geometric purity gives it a clean, modern confidence. Poppins is one of the most popular fonts on Google Fonts because it suits the clean aesthetic of contemporary startup and app design.

Poppins Bold and ExtraBold make strong heading fonts for tech products, consumer apps, and modern brand identities. Its roundness makes it read as slightly friendlier than Montserrat — appropriate for consumer-facing products.

Raleway

Raleway has a distinctive feature that other geometric sans-serifs lack: the unique double-story 'W' in certain weights. This makes Raleway identifiable and memorable. In its Thin and ExtraLight weights, Raleway creates an unusually refined heading personality. In its Black and Heavy weights, it makes a bold, impactful display choice.

Raleway suits creative agencies, portfolio sites, fashion, and design-focused brands. It's more distinctive than Montserrat or Poppins — harder to use generically, more powerful when the application is right.

Oswald

Oswald is a condensed sans-serif inspired by the classic "gothic" sans-serifs of the 20th century. Its condensed proportions allow it to pack more visual weight into a narrow column — making it ideal for bold, impactful headings on information-dense pages.

Oswald is the heading font of choice for news sites, sports content, and any application that needs the visual authority of newspaper headline type. It pairs particularly well with Roboto and Merriweather.

h1, h2, h3 {
  font-family: 'Oswald', sans-serif;
  font-weight: 700;
  text-transform: uppercase;
  letter-spacing: 0.03em;
  line-height: 1.1;
}

Space Grotesk

Space Grotesk is a contemporary sans-serif with visible quirks — slightly unusual proportions and subtly distinctive letterforms that make it feel less generic than most grotesques. Designed as a companion to Space Mono, it creates distinctive headings for tech brands, developer tools, and any project seeking a design-literate, slightly unconventional personality.

Space Grotesk in Bold or Medium weight makes headings that stand out from the Montserrat/Poppins default without being decorative or eccentric. It signals design sophistication.

Ultra-Bold and Condensed Display Fonts

Anton

Anton is a condensed, ultra-bold display sans-serif in a single weight — Regular. It was designed to make maximum impact in the minimum space. Anton headings read from across a room; they command attention in news feeds and social content.

Anton is uncompromising. Use it only when maximum impact is the explicit goal and you have the neutral body text to contain it. It pairs with light body text (a Light or Regular weight humanist sans or body serif) to prevent the page from becoming visually overwhelming.

Bebas Neue

Bebas Neue is the most popular condensed display font on Google Fonts. All-caps only, ultra-bold, condensed — it's the typographic equivalent of a billboard headline. Frequently used in fitness, sports, streetwear, and action-oriented brand contexts.

Bebas Neue's limitation is its rigidity. It works only in all-caps, only at large sizes, and only in contexts where its bold personality is appropriate. For formal or editorial contexts, its associations are too casual. For the right brand, it's irreplaceable.

Archivo Black

Archivo Black is a display weight designed for use in advertising and branding. It's broad, bold, and confident without the condensed eccentricity of Bebas or Anton. Archivo Black works in contexts where you want maximum heading weight but need lowercase legibility — Bebas Neue's all-caps limitation doesn't apply.

Barlow Condensed / Barlow Semi Condensed

The Barlow family (designed by Jeremy Tribby) provides condensed and semi-condensed options that offer more personality than Oswald without the all-caps constraint of Bebas. Barlow Condensed in its Bold and ExtraBold weights makes excellent headings for editorial, tech, and energetic brand contexts.

/* Ultra-bold heading approach */
h1 {
  font-family: 'Barlow Condensed', sans-serif;
  font-weight: 800;
  font-size: clamp(36px, 6vw, 72px);
  line-height: 1.0;
  text-transform: uppercase;
  letter-spacing: 0.02em;
}

Variable Heading Fonts for Maximum Flexibility

Variable fonts contain multiple design axes — typically weight and width, sometimes optical size or other parameters — within a single font file. For heading use, the weight axis is the most valuable: you can dial in the exact weight you want for any heading level without loading multiple font files.

Inter Variable

Inter is available as a variable font with the weight axis spanning from Thin (100) to ExtraBold (900). For a project using Inter for both headings and UI, the variable font means one file handles every weight. Using font-weight: 750 for headings (between Bold and ExtraBold) gives you a precise weight not available in static font files.

Playfair Display Variable

Playfair Display's variable version provides a weight axis from Regular to Black. You can create heading hierarchy through graduated weight rather than jumping between fixed weights, producing a more refined typographic system.

Raleway Variable

Raleway's variable font covers its extreme range — from Thin (100) to Black (900) — in a single file. This makes Raleway one of the most versatile variable fonts for headings, since the personality of Raleway Thin is so different from Raleway Black that you effectively get two distinct heading personalities from one file.

/* Variable font heading with precise weight control */
@import url('https://fonts.googleapis.com/css2?family=Raleway:[email protected]&display=swap');

h1 { font-family: 'Raleway', sans-serif; font-weight: 800; }
h2 { font-family: 'Raleway', sans-serif; font-weight: 600; }
h3 { font-family: 'Raleway', sans-serif; font-weight: 500; }
h4 { font-family: 'Raleway', sans-serif; font-weight: 400; }

Pairing Each Heading Font With Body Text

Heading Font Best Body Pairing Why It Works
Playfair Display Lato Didone drama vs. humanist warmth
Cormorant Garamond DM Sans Extreme elegance vs. geometric neutrality
EB Garamond Inter Classical warmth vs. modern clarity
Bodoni Moda Source Sans 3 Fashion precision vs. neutral functionality
Montserrat Merriweather Geometric modern vs. screen-optimized serif
Poppins Lora Clean circles vs. calligraphic warmth
Raleway Crimson Text Distinctive geometric vs. literary serif
Oswald Roboto Condensed authority vs. neutral readability
Space Grotesk EB Garamond Quirky modern vs. classical warmth
Anton Nunito Sans Maximum impact vs. friendly neutrality
Bebas Neue Open Sans All-caps boldness vs. open readability
Barlow Condensed Lato Editorial energy vs. humanist comfort

Use the font pairing tool to preview any of these combinations with your own content. Every heading font has an ideal size range, and seeing the font in your browser at real sizes — rather than in a specimen or design tool — is the fastest way to confirm whether a choice is working.

The best heading font is the one that makes your first sentence worth reading.

Typography Terms

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Fonts Mentioned

Montserrat Sans Serif #6

Inspired by the geometric signage and storefronts of the Montserrat neighborhood in Buenos Aires, Julieta Ulanovsky created this typeface to capture the spirit of early 20th-century urban lettering. Clean circular forms and strong geometric proportions give it an assertive presence ideal for headlines, branding, and landing pages. The variable weight axis spans a wide range, and Cyrillic and Vietnamese scripts are included.

The quick brown fox jumps over the lazy dog
Poppins Sans Serif #7

Developed by the Indian Type Foundry, this geometric sans-serif pairs perfectly circular bowls and uniform stroke widths with native Devanagari support, making it one of the few typefaces that genuinely integrates Latin and Indic scripts at a design level. The precise, modern letterforms project confidence and approachability, making Poppins a favorite for startup landing pages and app interfaces. Available in 18 styles across 9 weights, it offers practical flexibility without a variable font.

The quick brown fox jumps over the lazy dog
Oswald Sans Serif #12

Vernon Adams reimagined the classic grotesque condensed genre for the web, taking cues from early American gothics and condensed newspaper type. Its tall, narrow proportions command attention in headlines, posters, and display contexts where vertical rhythm is tight. A variable weight axis and Cyrillic support expand its utility beyond English-language applications.

The quick brown fox jumps over the lazy dog
Raleway Sans Serif #14

Originally conceived as a single-weight display face in 2010, Raleway was expanded by multiple collaborators into a full family celebrated for its elegant, slightly art-deco character. Distinctive touches — like the uppercase W formed from overlapping V shapes — give it a refined personality that suits portfolio sites, fashion brands, and high-end editorial headings. A variable weight axis and Cyrillic support round out a family that punches above its weight in visual sophistication.

The quick brown fox jumps over the lazy dog
Playfair Display Serif #17

Claus Eggers Sorensen drew this high-contrast modern serif in the tradition of Bodoni and Didot, with dramatic thick-thin stroke transitions and delicate hairlines that demand high-resolution rendering. It excels in editorial design, luxury branding, and large-scale headings where its theatrical contrast can be appreciated. A variable weight axis and Cyrillic support complement the family's existing italic and small caps variants.

The quick brown fox jumps over the lazy dog
Bebas Neue Sans Serif #39

Bebas Neue by Ryoichi Tsunekawa has achieved iconic status as the go-to all-caps display grotesque for poster design, packaging, and motion graphics, recognized by its tall condensed letterforms and near-uniform stroke weight. The single-weight release keeps things intentionally simple: this is a typeface with one purpose, which is maximum visual impact in headline and display contexts. Its ubiquity is both its strength — immediate cultural legibility — and its limitation for designers seeking originality.

The quick brown fox jumps over the lazy dog
Anton Sans Serif #72

Anton is a condensed, high-contrast grotesque designed by Vernon Adams for maximum typographic impact at large sizes. Its tight letterforms and bold strokes command attention, making it a favorite for posters, sports branding, and editorial headlines. The Latin and Vietnamese script support extends its reach across multilingual campaigns.

The quick brown fox jumps over the lazy dog
Bitter Serif #74

Bitter is a slab-serif designed by Huerta Tipográfica specifically for on-screen reading, with robust serifs and generous ink traps that maintain legibility at small sizes. The variable wght axis allows subtle weight adjustments without sacrificing the type's sturdy editorial character. Cyrillic and Vietnamese script support make it a strong choice for international news and publishing platforms.

The quick brown fox jumps over the lazy dog

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