EB Garamond

Serif old-style by Georg Duffner #62 on Google Fonts
Weight

About EB Garamond

Georg Duffner e Octavio Pardo criaram esta reimplementação de código aberto da tipografia Garamond do século XVI, com base nos espécimes históricos de Egenolff-Berner de 1592. Suas serifas clássicas humanistas, contraste de traço elegante e proporções equilibradas evocam a rica tradição da tipografia renascentista. É adequada para publicações editoriais, textos acadêmicos e qualquer projeto que busque autoridade tipográfica clássica.

Character Map

AaBbCcDdEeFfGgHhIiJjKkLlMm
NnOoPpQqRrSsTtUuVvWwXxYyZz
0123456789
!@#$%^&*()_+-=[]{}|;':",.<>?

Weight Waterfall (5)

400 Regular
500 Medium
600 SemiBold
700 Bold
800 ExtraBold

How to Use

<link href="https://fonts.googleapis.com/css2?family=EB+Garamond:wght@500;600;700;800;400&display=swap" rel="stylesheet">
@import url('https://fonts.googleapis.com/css2?family=EB+Garamond:wght@500;600;700;800;400&display=swap');
font-family: 'EB Garamond', serif;
brew install --cask font-eb-garamond

Details

Category
Serif
Style
old-style
Weights
5
Italic
Coreano
Designer
Georg Duffner
License
OFL
Version
Popularity
#62

License Usage

Web useAllowed
PrintAllowed
Video / BroadcastAllowed
PackagingAllowed
App embeddingAllowed
Brand / LogoAllowed
ModificationAllowed

OFL — Free for personal & commercial use

Language Support

cyrillic cyrillic-ext greek greek-ext latin latin-ext vietnamese

Best For

body-text book editorial

Typography Concepts

  • Baseline

    The invisible line on which most letters sit. Descenders extend below the baseline.

  • Ascender

    The part of a lowercase letter that extends above the x-height, as in 'b', 'd', 'h', 'k', 'l'.

  • Contrast (Typography)

    The difference between the thickest and thinnest parts of a letter's strokes. High-contrast fonts (like Didot) have dramatic variation.

  • Ligature

    Two or more letters combined into a single glyph, like 'fi' or 'fl'. Common in serif fonts and coding fonts (e.g., Fira Code).

  • Glyph

    A single visual representation of a character. One character can have multiple glyphs (e.g., regular and italic 'a').

  • Bowl

    The curved stroke creating an enclosed counter in letters like 'b', 'd', 'p', 'q'. The shape varies widely between typefaces.

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